Cloudy Seascapes

Early on a recent afternoon in Pacific Grove, I saw a striking pattern of cirrus clouds over the ocean, so I grabbed my camera and headed to Ocean View Blvd. to look for a foreground. I knew about this gazebo, so I headed there first. I then walked a short distance to this spot overlooking the rocky shoreline—same cloudscape, different foreground. While trying to find a composition with these strongly lit rocks, a line of pelicans flew by, and I snapped a photo. Lines of pelicans are a common sight along this stretch of coastline. On the next day, I was in Monterey, heading down Fisherman’s Wharf. Lit up by the sun in the east, Harbor House is at the

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Street Portraits on Fisherman’s Wharf

Fisherman’s Wharf in Monterey is for tourists—lots of seafood restaurants with barkers outside, T-shirt shops, candy stores. There are also local musicians who hang out there, and other street vendors. On a sunny day last week (which can be rare), I went to look for some photos. I had my Rolleiflex hanging around my neck. As usual, several people commented on it. One was a local reggae musician. We talked a while and he asked me to take his picture. He didn’t need to ask twice. Here he is, not smiling and then smiling. Usually, I prefer non-smiling portraits, but not in this case. I also came across these servers dressed in black and white. I told them they’d be

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Finding a Theme—Accidentally

On a recent visit to the San Francisco Museum of Modern Art (SFMOMA), I took my camera, not really expecting to shoot much. Once inside, I took a few photos of the artwork, then of people and artwork, and then realized that, without looking for one, I’d found a theme. Standing at the far end of a room with minimalist art on the wall, I’d wait for the right person or persons to enter the frame. Sometimes I stood there quite a while. Many of the shots didn’t work out, because the people were in the wrong position, or I timed it wrong and they merged with the art. But others did. What I like most about these photos is

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Photographing on the Monterey Peninsula

I’m spending a lot of time in Monterey and Pacific Grove. There are lots of good subjects there, and I’ve been capturing them on film, in black and white, and making prints in the darkroom. What I haven’t been doing is scanning the negatives, so I finally got around to that today and scanned several rolls. I don’t print from the scans, but I do need them in order to post photos here. Pacific Grove (PG) is a small community, and it had a small-town Fourth of July celebration. Here’s George Washington with the Bill of Rights, which he read aloud to the crowd. This is the Cathedral of San Carlos Borromeo in Monterey, also known as the Presidio Chapel.

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Going Analog

I’m shooting black and white film almost exclusively nowadays, and processing and printing it in the darkroom. I find the hands-on craft of it more rewarding than digital. Here are several recent portraits shot on film. I do have to scan my negatives to be able to post photos on this site, so these images represent a hybrid workflow. Shoot and develop film, then scan it for posting. But, unlike many people shooting film today, I do make darkroom prints. In fact, if I couldn’t do that, I doubt I’d shoot film. This is my older granddaughter at the playground. For me, her expression makes the photo. Here’s the other granddaughter in her white Hermione shirt at the computer. A

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Clouds Again—But Different

Whenever I see lots of clouds in the sky above the reservoir near my home, I grab my camera loaded with black and white film and my orange and red filters, and go looking for compositions. This past week, the type of clouds were not the usual post-storm cumulus, but cirrus, high and wispy. Here are some compositions I found. The trail into the hills near my house forks soon after you reach it. Heading to left up the hill, you come across this tree, backlit in the late afternoon. Heading up the hill to the right, you come across this bench overlooking the hills and the reservoir, front-lit in the afternoon. That day, there was a child’s toy that

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Clouds as a Subject

After a storm passes and the rain stops, I almost always head out to photograph clouds. Shooting black and white film with an orange or red filter on the camera produces dark skies and white clouds—an effect I like. In composing, I make the sky two-thirds or more of the picture because, to me, the clouds are the subject. These photos were all taken with my medium-format camera on Ilford FP4+ black-and-white film. This was taken in the late afternoon on the nearby campus of St. Mary’s College. The clouds aren’t the subject here—the statue of De La Salle is—but they add interest to the background. Clouds over Mt. Diablo. Taken from the Rim Trail above the Lafayette Reservoir. Many

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Being Partly in Control

Professional portrait photographers control every aspect of a formal session, including location, background, light, pose, expression, clothes and more. I like the results they get, but I can’t do that when I photograph my granddaughters. It’s never an actual “portrait session” anyway; more of a half-minute opportunity to grab a shot before they move on. Still, I’ve learned to control at least a couple of important elements, which I think of as being partly in control. Even that helps get a better result. When I know I want to grab a photo of one or both of them, I quickly look for possible backgrounds and the best available light. I take an exposure reading and set aperture and shutter speed

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